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There is a very large class of persons alive to-day who believe that not only is communication with the dead possible, but that they themselves have had actual experience of it. Many of these are eminent in scientific research, and on any other subject the world in general would accept their evidence.
There is possibly a larger class of persons who hold that all such communications, if genuine, come not from the dead but from the devil. This is the taught opinion of the Roman Catholic Church.
A third class, far more numerous than both of these, is sure that any one who holds either of these beliefs is a dupe of conjurers, or the victim of his own disordered brain. This type of robust intellect has, during the last ten decades, affirmed that hypnotism, aviation in machines heavier than air, telepathy, wireless telegraphy, and other non-proved phenomena, are superstitious and unscientific balderdash. In an earlier century it was equally certain that the earth did not go round the sun. It is, happily, never disconcerted by the frequency with which the superstitions and impossibilities of one generation become the science of the next.
The first part of this book may be accepted by the first of these three classes, the second by the second, and none of it by the third. Its aim is to state rather than solve the subject with which it deals, and to suggest that the dead and the devil alike may be able to communicate with the living.
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Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E. F. Benson. His friends called him Fred.
Benson's first book was Sketches from Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a portrait of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires". The Mapp and Lucia series, written relatively late in his career, consists of six novels and two short stories. The novels are: Queen Lucia, Lucia in London, Miss Mapp (including the short story "The Male Impersonator"), Mapp and Lucia, Lucia's Progress (published as The Worshipful Lucia in the United States) and Trouble for Lucia. The short stories are "The Male Impersonator" and "Desirable Residences". Both appear in anthologies of Benson's short stories, and the former is also often appended to the end of the novel Miss Mapp.
Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories, which were often first published in story magazines such as Pearson's Magazine or Hutchinson's Magazine, 20 of which were illustrated by Edmund Blampied. These "spook stories", as they were also called, were then reprinted in collections by his principal publisher, Walter Hutchinson. His 1906 short story, "The Bus-Conductor", a fatal-crash premonition tale about a person haunted by a hearse driver, has been adapted several times, notably in 1944 (in the film Dead of Night and as an anecdote in Bennett Cerf's Ghost Stories anthology published the same year) and in a 1961 episode of The Twilight Zone. The catchphrase from the story, "Room for one more", even spawned an urban legend, and also appears in the 1986 Oingo Boingo song, "Dead Man's Party".
Benson's David Blaize and the Blue Door (1918) is a children's fantasy influenced by the work of Lewis Carroll. "Mr Tilly's Seance" is a witty and amusing story about a man flattened by a traction-engine who finds himself dead and conscious on the 'other side'. Other notable stories are the eerie "The Room in the Tower" and "Pirates".
Benson is also known for a series of biographies/autobiographies and memoirs, including one of Charlotte Brontë. His last book, delivered to his publisher ten days before his death, was an autobiography entitled Final Edition.
H. P. Lovecraft spoke highly of Benson's works in his "Supernatural Horror in Literature", most notably of his story "The Man Who Went Too Far".
Further "Mapp and Lucia" books have been written by Tom Holt, Guy Fraser-Sampson, and Ian Shepherd.
