Bureaucracy: Works of Balzac
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CHAPTER I. THE RABOURDIN HOUSEHOLD
In Paris, where men of thought and study bear a certain likeness to one another, living as they do in a common centre, you must have met with several resembling Monsieur Rabourdin, whose acquaintance we are about to make at a moment when he is head of a bureau in one of our most important ministries. At this period he was forty years old, with gray hair of so pleasing a shade that women might at a pinch fall in love with it for it softened a somewhat melancholy countenance, blue eyes full of fire, a skin that was still fair, though rather ruddy and touched here and there with strong red marks; a forehead and nose a la Louis XV., a serious mouth, a tall figure, thin, or perhaps wasted, like that of a man just recovering from illness, and finally, a bearing that was midway between the indolence of a mere idler and the thoughtfulness of a busy man. If this portrait serves to depict his character, a sketch of this man's dress will bring it still further into relief. Rabourdin wore habitually a blue surcoat, a white cravat, a waistcoat crossed a la Robespierre, black trousers without straps, gray silk stockings and low shoes. Well-shaved, and with his stomach warmed by a cup of coffee, he left home at eight in the morning with the regularity of clock-work, always passing along the same streets on his way to the ministry: so neat was he, so formal, so starched that he might have been taken for an Englishman on the road to his embassy.
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作者简介
About Honore de Balzac
Honore de Balzac (20 May 1799 – 18 August 1850) was a French novelist and playwright. His magnum opus was a sequence of short stories and novels collectively entitled La Comédie Humaine, which presents a panorama of French life in the years after the 1815 Fall of Napoleon Bonaparte.
Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Gustave Flaubert, and Henry James, as well as important philosophers such as Friedrich Engels. Many of Balzac's works have been made into films, and they continue to inspire other writers.
Balzac's work habits are legendary—he did not work quickly, but toiled with an incredible focus and dedication. His preferred method was to eat a light meal at five or six in the afternoon, then sleep until midnight. He then rose and wrote for many hours, fueled by innumerable cups of black coffee. He would often work for fifteen hours or more at a stretch; he claimed to have once worked for 48 hours with only three hours of rest in the middle.
Balzac revised obsessively, covering printer's proofs with changes and additions to be reset. He sometimes repeated this process during the publication of a book, causing significant expense both for himself and the publisher. As a result, the finished product quite often was different from the original text. Although some of his books never reached completion, some — such as Les employés (The Government Clerks, 1841) — are nonetheless noted by critics.
Although Balzac was "by turns a hermit and a vagrant", he managed to stay in tune with the social spheres which nourished his writing. He was friends with Théophile Gautier and Pierre-Marie-Charles de Bernard du Grail de la Villette, and he was acquainted with Victor Hugo. Nevertheless, he did not spend as much time in salons and clubs of Paris like many of his characters. "In the first place he was too busy", explains Saintsbury, "in the second he would not have been at home there.... He felt it was his business not to frequent society but to create it". However he often spent long periods at the Château de Saché, near Tours, the home of his friend Jean de Margonne, his mother's lover and father to her youngest child. Many of Balzac's tormented characters were conceived in the chateau's small second-floor bedroom. Today the chateau is a museum dedicated to the author's life.
The Comédie Humaine remained unfinished at the time of his death—Balzac had plans to include numerous other books, most of which he never started. He frequently flitted between works in progress, and "finished articles" were frequently revised between editions. This piecemeal style is reflective of the author's own life, a possible attempt to stabilize it through fiction. "The vanishing man", wrote Sir Victor Pritchett, "who must be pursued from the rue Cassini to ... Versailles, Ville d'Avray, Italy, and Vienna can construct a settled dwelling only in his work".
