"Cooney's brilliantly executed collection of five stories is a delicious stew of science fiction, horror, and fantasy, marked by unforgettable characters who plumb the depths of pathos and triumph. ... All of these stories could easily serve as the foundation for novels while also working beautifully at their current length. These well-crafted narratives defiantly refuse to fade from memory long after the last word has been read." —Publishers Weekly, starred review
"In five beautifully crafted stories, Cooney builds imaginary worlds full of flying carpets, fairy-tale characters, and children confronted with a postapocalyptic Earth ... Each tale packs in enough plot for a novel, with adventurous characters who brim with wit." —Library Journal, starred review
"Writing without ostentation and featuring characters who may be flippant, terse, or even tongue-tied, Cooney produces memorable prose propelled by extraordinary ideas ... Faced with such twisted genius, I'll say no more!" —Locus
"A fascinating mashup between the tropes and resonances of the mythic tale with the sensibilities of contemporary action-oriented fantasy: simultaneously lighthearted and serious, full of consequences but also ubiquitous happy endings." —Tor.com
C.S.E. Cooney is a Rhode Island writer who lives across the street from a Victorian Strolling Park. She is the author of How To Flirt in Faerieland and Other Wild Rhymes and Jack o' the Hills. She won the 2011 Rhysling Award for her story-poem "The Sea King's Second Bride." Publishers Weekly gave her first short fiction collection Bone Swans a starred review, calling it "brilliantly executed...delicious stew of science fiction, horror, and fantasy, marked by unforgettable characters who plumb the depths of pathos and triumph."
Other examples of her short fiction and poetry can be found in Rich Horton's Year's Best Science Fiction and Fantasy (2011, 2012, 2014), The Nebula Awards Showcase (2013), The Mammoth Book of Steampunk Adventures (2014), The Moment of Change, Black Gate, Apex, Subterranean, Strange Horizons, Ideomancer, Clockwork Phoenix, Steam-Powered II, The Book of Dead Things, Cabinet des Fées, Stone Telling, Goblin Fruit, and Mythic Delirium.
Her website can be found at http://csecooney.com/
The third volume in the ground-breaking, genre-bending, boundary-pushing CLOCKWORK PHOENIX anthology series, now available in digital format.
Includes critically-acclaimed and award-nominated stories by Marie Brennan, Tori Truslow, Georgina Bruce, Michael M. Jones, Gemma Files, C.S.E. Cooney, Cat Rambo, Gregory Frost, Shweta Narayan, S.J. Hirons, John Grant, Kenneth Schneyer, John C. Wright, Nicole Kornher-Stace and Tanith Lee.
With a whimsical introduction and new afterword by Nebula Award-nominated editor Mike Allen.
The Gospel of Nachash • Marie Brennan
Tomorrow Is Saint Valentine's Day • Tori Truslow
Crow Voodoo • Georgina Bruce
Your Name Is Eve • Michael M. Jones
Hell Friend • Gemma Files
Braiding the Ghosts • C.S.E. Cooney
Surrogates • Cat Rambo
Lucyna's Gaze • Gregory Frost
Eyes of Carven Emerald • Shweta Narayan
Dragons of America • S.J. Hirons
Where Shadows Go at Low Midnight • John Grant
Lineage • Kenneth Schneyer
Murder in Metachronopolis • John C. Wright
To Seek Her Fortune • Nicole Kornher-Stace
Fold • Tanith Lee
Allen’s third volume of extraordinary short stories reaches new heights of rarity and wonder. Marie Brennan sets the bar high with “The Gospel of Nachash,” a fine reinterpretation of the Adam and Eve legend from a fresh perspective. Tori Truslow’s scholarly “Tomorrow Is Saint Valentine’s Day” tells the story of the Great Ice Train and its encounter with the merfolk on the Moon. Gemma Files’s “Hell Friend” and C.S.E. Cooney’s “Braiding the Ghosts” are sinister, spine-tingling ghost stories. Cat Rambo deals with realism and escapism in her futuristic “Surrogates,” where appearances and reality are mutable. Shweta Narayan’s “Eyes of Carven Emerald” eloquently rewrites the history of Alexander the Great to include mechanical entities. Without a wrong note, all the stories in this anthology admirably fulfill Allen’s promise of “beauty and strangeness.”
— Publishers Weekly, Starred Review
With a balance of new names and established authors, the third Clockwork Phoenix installment collects some magnificent interpretations of fantastic ideas. “The Gospel of Nachash” opens, Marie Brennan’s haunting tale of the beginning of time, and a very interesting reinterpretation of a gospel it is, too. Tanith Lee’s “Fold” is a story of a man who wrote love letters to the people he saw passing beneath his window, and only left his apartment once. Gemma Files’ “Hell Friend” is really a heart-warming ghost story; Georgina Bruce’s “Crow Voodoo” is an unnerving take on something common to fairy tales; and Gregory Frost’s “Lucyna’s Gaze” starts off sweet, and grows more awful with every revealed detail. Clockwork Phoenix delivers on its promise of both beauty and strangeness, and adds in some fright and a few new ways of looking at old tropes. All in all, it’s a very successful collection of thematically similar, but wildly varied in subject, works.
CLOCKWORK PHOENIX is a series of anthologies from Norilana Books, edited by Mike Allen, that bears the subtitle “New Tales of Beauty and Strangeness”. This seems a quite appropriate subtitle — the stories really do seem attempts at evoking both beauty and the strange. This makes them consistently interesting . . . There is a mixture of wild science fiction (as with John C. Wright’s “Murder in Metachronopolis”, a convoluted time travel mystery) with what seems best called slipstream (say, Tanith Lee’s curious “Fold”, about a man who sends people paper airplane love letters) with out and out fantasy. One of the latter is my favorite here: C. S. E. Cooney’s “Braiding the Ghosts”, in which a girl goes to her grandmother after her mother’s death, and learns from the older woman the secret of “braiding” ghosts — which is to say enslaving them. So ghosts are the servants of the older woman. But the girl is not so happy with this . . . especially when she falls for the ghost she is forced to braid. And the ghosts — are they happy? Read the story and find out . . . lovely stuff.
For the past three years editor Mike Allen has been publishing his unique CLOCKWORK PHOENIX anthologies, inviting authors like Tanith Lee and Catherynne M. Valente to give us their take on the concepts of, as the title has it, “beauty and strangeness.” The result has been a critical and artistic success and, if volume three is any indication, the spell won’t be lifting any time soon. Allen continues to assemble some of the most adventurous, beauteous, and just plain weird stuff our current crop of speculative authors are capable of producing. Adventurous minds are invited to attend.
— Strange Horizons
'Stephen Jones knows horror . . . he's become one of the best guides to its shifting landscape' says Kirkus, and in HORROROLOGY, a follow-up to the bestselling A BOOK OF HORRORS, he has enticed terrifying storytellers including Clive Barker (THE SCARLET GOSPELS), Joanne Harris (A POCKETFUL OF CROWS), Kim Newman (ANNO DRACULA), Muriel Gray (THE TRICKSTER) and Michael Marshall Smith (HANNAH GREEN AND HER UNFEASIBLY MUNDANE EXISTENCE), amongst many others.
A dozen all-new stories from some of the best talents in the field, they present 'a gamut of fear and sombre wonders demonstrating how horror writing can be both entertaining and challenging' (Maxim Jakubowski, Lovereading).
Be warned: you are about to discover the true meanings of fear!
"The Pauper Prince and the Eucalyptus Jinn" by Usman T. Malik is a fantasy novella about a disenchanted young Pakistani professor who grew up and lives in the United States, but is haunted by the magical, mystical tales his grandfather told him of a princess and a Jinn who lived in Lahore when the grandfather was a boy.
"Fascinating and poetic."--Locus
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
“Allen’s strange and lovely fifth genre-melding fantasy anthology selects 20 new short stories of unusual variety, texture, compassion, and perception. . . . All the stories afford thought-provoking glimpses into alternative realities that linger, sparking unconventional thoughts, long after they are first encountered.”
—Publishers Weekly, starred review
“The arrangement is superb. This anthology of 20 stories can resemble a symphony of themes and variations in a wide range of keys, or a tapestry whose elements form patterns of imagery and meaning that shift and offer new insights throughout the book.”
The Clockwork Phoenix anthologies offer homes to “well-written stories occupying multiple subgenres, usually in the same story, often ambiguously,” as Locus Magazine once put it.
The ground-breaking, boundary-pushing, award-nominated series has returned for a fifth incarnation, triumphantly risen from the ashes after another successful Kickstarter campaign. This is the largest installment yet, holding twenty new tales of beauty and strangeness.
With original fiction from Jason Kimble, Rachael K. Jones, Patricia Russo, Marie Brennan, Benjanun Sriduangkaew, Rob Cameron, A. C. Wise, Gray Rinehart, Sam Fleming, Sunil Patel, C. S. E. Cooney and Carlos Hernandez, Holly Heisey, Barbara Krasnoff, Sonya Taaffe, Alex Dally MacFarlane, Shveta Thakrar, Cassandra Khaw, Keffy R. M. Kehrli, Rich Larson, and Beth Cato. Cover art by Paula Arwen Owen.
“And then there is that secret restaurant . . . It is perfection on a plate! And you feel better about yourself and your life and the world every time you go there. Clockwork Phoenix is the name of this restaurant, and Mike Allen is the restaurateur. One sublime dish after another, and yet I still have my favorites that I keep coming back to.”
—Little Red Reviewer
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