Chinese Whispers: Poems

John Ashbery

sept 2014 · Open Road Media

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John Ashbery’s restless, witty meditation on aging and the music of change: A must-read collection from America’s greatest modern poet

The child’s game Chinese Whispers, known in America as Telephone, is an exercise in transforming the recognizable into something beautifully strange. John Ashbery’s twenty-fourth collection of poems, Chinese Whispers, re-creates in every line the accidentally transformative logic of the language game for which the book is named. In sixty-three charged and often very funny poems, Ashbery confronts the relentlessness of age and time while demonstrating, in his unmistakable, self-reflexive style, the process by which a single thought unravels, multiplies, distends, travels, and finally arrives, changed and unfamiliar.
 
First published in 2002, shortly after Ashbery’s seventy-fifth birthday, Chinese Whispers is a collection in which fairy tales, mysteries, and magic dollhouses interleave effortlessly with the everyday of pancakes and popular culture. Ashbery’s language is absolutely recognizable from modern life as it is experienced, but at the same time is as dreamlike and disquieting as intercepted transmissions from another world. 

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John Ashbery was born in 1927 in Rochester, New York, and grew up on a farm near Lake Ontario. He authored more than thirty books of poetry, fiction, drama, and criticism, his work has been translated into more than twenty-five languages, and he won numerous American literary awards for his poetry, including a MacArthur Fellowship, two Guggenheim Fellowships, and a National Humanities Medal. His book Self-Portrait in a Convex Mirror (1975) won the Pulitzer Prize, the National Book Critics Circle Award, and the National Book Award. For many years, Ashbery taught graduate and undergraduate poetry courses at Brooklyn College and Bard College, and his most recent book of poems is Quick Question, published in 2012.