Cynthia's Revels: Or, The Fountain of Self-Love

· The Floating Press
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This satirical drama from one of the only playwrights regarded as a contemporary equal of Shakespeare may have originally been performed in the early 1600s, but it feels remarkably fresh centuries later. Beginning with a prologue which devolves into a slapstick comedy that presages postmodern irony, the play recounts a solemn religious observance that is much more than it appears to be.

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Born in 1572, Ben Jonson rejected his father's bricklaying trade and ran away from his apprenticeship to join the army. He returned to England in 1592, working as an actor and playwright. In 1598, he was tried for murder after killing another actor in a duel, and was briefly imprisoned. One of his first plays, Every Man Out of His Humor (1599) had fellow playwright William Shakespeare as a cast member. His success grew with such works as Volpone (1605) and The Alchemist (1610) and he was popular at court, frequently writing the Christmas masque. He is considered a very fine Elizabethan poet. In some anti-Stratfordian circles he is proposed as the true author of Shakespeare's plays, though this view is not widely accepted. Jonson was appointed London historian in 1628, but that same year, his life took a downward turn. He suffered a paralyzing stroke and lost favor at court after an argument with architect Inigo Jones and the death of King James I. Ben Jonson died on August 6, 1637.

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