Dancing in the Movies

Robert Boswell

ene 1986 · University of Iowa Press

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Encompassing a vast gamut of personalities, situations, and emotions, these stories penetrate our motives for doing what is right. Often there is no right or wrong, and the characters' motives for the choices they make are as diverse as the childhood memories they cherish and abhor. In the end, this book probes individual impulse and responsibility, creating stories so unerringly authentic that they become—irrepressibly—part of everyone who reads them.

"The Darkness of Love" narrates three days in the life of a black policeman, distressed by his inner fears of racism and irresistibly attracted by his wife's sister. In "Dancing in the Movies" a college student returns to his hometown, where he finds his girlfriend—a heroin addict—and tries to convince her to overcome her habit. There are stories of men at war, of lovers trying to begin a relationship, of others trying to sustain their love. Each story revolves around characters with a choice to make, and Robert Boswell renders these characters in all of their fine, vulnerable, and relentless attributes.

With this prize-winning collection, Boswell proves himself a mature craftsperson, weaving stories both poignant and profound. Each story is a vision of life, alternately dark and joyous, gritty and hopeful.

Acerca del autor

Robert Boswell is the author of six novels including Century’s Son, Mystery Ride, and Crooked Hearts, three story collections including The Heyday of the Insensitive Bastards, a play, a cyberpunk novel, and two nonfiction books. He has received National Endowment for the Arts Fellowships, a Guggenheim Fellowship, the Iowa School of Letters Award for Short Fiction, the PEN West Award for Fiction, the John Gassner Prize for Playwriting, and the Evil Companions Award. His stories have appeared in the New Yorker, Best American Short Stories, O. Henry Prize Stories, Pushcart Prize Stories, Esquire, Colorado Review, and other magazines. He teaches creative writing at the University of Houston and in the Warren Wilson MFA Program for Writers.