Domain of Perfect Affection

Robin Becker

ago 2006 · University of Pittsburgh Press

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In Domain of Perfect Affection, Robin Becker explores the conditions under which we experience and resist pleasure: in beauty salon, summer camp, beach, backyard, or museum; New York or New Mexico. "The Mosaic injunction against / the graven image" inspires meditations on drawings by DŸrer, Evans, Klee, Marin, and del Sarto. To the consolations of art and human intimacy, Becker brings playfulness—"Worry stole the kayaks and soured the milk"—suffused with self-knowledge: "Worry wraps her long legs / around me, promises to be mine forever." In "The New Egypt," the narrator mines her family's legacy: "From my father I learned the dignity / of exile and the fire of acquisition, / not to live in places lightly, but to plant / the self like an orange tree in the desert." Becker's shapely stanzas—couplets, tercets, quatrains, pantoum, sonnet, syllabics—subvert her colloquial diction, creating a seamless merging of subject and form. Luminous, sensual, these poems offer sharp pleasures as they argue, elegize, mourn, praise, and sing.

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Robin Becker received the Lambda Award in Poetry for All-American Girl and has held fellowships from the Massachusetts Cultural Council, the National Endowment for the Arts, and the Radcliffe Institute at Harvard. Her books include Tiger Heron, Domain of Perfect Affection, The Horse Fair, and Giacometti’s Dog. Professor Emeritus of English and Women’s Studies at Penn State, Becker serves as poetry and contributing editor for the Women’s Review of Books.