Drowned Hopes

¡ The Dortmunder Novels āļ´āˇœāļ­ 7 ¡ Open Road Media
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āļ‰-āļ´āˇœāļ­
454
āļ´āˇ’āļ§āˇ”
āˇƒāˇ”āļ¯āˇ”āˇƒāˇ”āļšāļ¸āˇŠ āļŊāļļāļēāˇ’

āļ¸āˇ™āļ¸ āļ‰-āļ´āˇœāļ­ āļœāˇāļą

This rollicking tale of an aging robber who wants to blow up a reservoir “will keep readers laughing” (Publishers Weekly).

In his day, Tom was a hard man. He came up with Dillinger in the 1930s, and pulled a lot of high-profile jobs before the state put him away. They meant it to be for good, but after twenty-three years the prisons are too crowded for seventy-year-old bank robbers, and so they let the old man go. Finally free, he heads straight for John Dortmunder’s house. Long ago, Tom buried $700,000, and now he needs help digging it up. While he was inside, the government dammed a nearby river, creating a reservoir and putting fifty feet of water on top of his money. He wants to blow the dam, drown the villagers, and move to Acapulco. If Dortmunder wants a clean conscience to go along with his share, he needs to find a nice way to get the money before Tom’s nasty instincts get the best of both of them.

āļ‡āļœāļēāˇ“āļ¸āˇŠ āˇƒāˇ„ āˇƒāļ¸āˇāļŊāˇāļ āļą

4.2
āˇƒāļ¸āˇāļŊāˇāļ āļą 4āļšāˇŠ

āļšāļģāˇŠāļ­āˇ˜ āļ´āˇ’āˇ…āˇ’āļļāļŗ

DIVDonald E. Westlake (1933–2008) was one of the most prolific and talented authors of American crime fiction. He began his career in the late 1950s, churning out novels for pulp houses—often writing as many as four novels a year under various pseudonyms—but soon began publishing under his own name. His most well-known characters were John Dortmunder, an unlucky thief, and a ruthless criminal named Parker. His writing earned him three Edgars and a Grand Master Award from the Mystery Writers of America./divDIV /divWestlake’s cinematic prose and brisk dialogue made his novels attractive to Hollywood, and several motion pictures were made from his books, with stars such as Lee Marvin and Mel Gibson. Westlake wrote several screenplays himself, receiving an Academy Award nomination for his adaptation of The Grifters, Jim Thompson’s noir classic.

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