Jelly Roll, Bix, and Hoagy: Gennett Records and the Rise of America's Musical Grassroots
feb 2013 · Indiana University Press
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“A lively and anecdotal history” of the tiny family-run studio where jazz greats from Jelly Roll Morton to Louis Armstrong made their first recordings (Jazz Times).
From 1917 to 1932, in a primitive studio next to the railroad tracks, the Gennett family of Richmond, Indiana, recorded some of the earliest performances of jazz, blues, and country greats—including Jelly Roll Morton, Big Bill Broonzy, King Oliver, Louis Armstrong, Gene Autry, Bix Beiderbecke, and native Hoosier Hoagy Carmichael (whose “Stardust” debuted on Gennett as a dance stomp).
Jelly Roll, Bix, and Hoagy is the first thoroughly researched account of the people and events behind this unique company and its outsized impact on American music. Alive with personal details and anecdotes from musicians, employees, and family members, it traces the colorful history of a pioneer recording company.
From 1917 to 1932, in a primitive studio next to the railroad tracks, the Gennett family of Richmond, Indiana, recorded some of the earliest performances of jazz, blues, and country greats—including Jelly Roll Morton, Big Bill Broonzy, King Oliver, Louis Armstrong, Gene Autry, Bix Beiderbecke, and native Hoosier Hoagy Carmichael (whose “Stardust” debuted on Gennett as a dance stomp).
Jelly Roll, Bix, and Hoagy is the first thoroughly researched account of the people and events behind this unique company and its outsized impact on American music. Alive with personal details and anecdotes from musicians, employees, and family members, it traces the colorful history of a pioneer recording company.
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Rick Kennedy is a veteran communications manager with General Electric Company and a former journalist. A freelance music writer for more than 30 years, he is author (with Randy McNutt) of Little Labels–Big Sound: Small Record Companies and the Rise of American Music (IUP, 2001).
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