Having spent ten months on the run after he was framed for the murder of an estate-clearing associate, handyman Jay Porter returns to his hometown of Ashton, New Hampshire. During his time as a fugitive, he searched for a hard drive―evidence that would put his longtime nemeses Adam and Michael Lombardi behind bars. But he came up empty handed.
He has nothing. No hard drive, no hope. He hasn’t spoken to his ex-wife and son in almost a year and he’s broke. With his reputation tarnished and employment opportunities nonexistent, Jay takes a charity assignment from old friend/flame Alison Rodgers and learns of a fire at Alison’s former rehab farm. Jay is convinced that the Lombardis started a fire as a scare tactic to pressure Alison to sell. As Jay begins to look into the origins of the fire, he hopes he will finally be able to put away his enemies. But he soon discovers that evil isn’t so easy to define, and that sometimes we need to take the law into our own hands if we want justice.
Award-winning author Joe Clifford was born in Berlin, CT. He now lives in the San Francisco Bay Area with his wife, Justine, and two sons. He is a graduate of Central Connecticut State University and holds an MFA degree from Florida International University. However, prior to these scholarly accomplishments, Joe had been a heroin and methamphetamine addict―an addiction that landed him homeless on the streets. After ten years, Joe turned his life around. He now uses the backdrop of his own extreme experience to shine a light on the misunderstood and marginalized. No one can write with the authority of Joe Clifford when describing the reality of alcohol and drug abuse. Rag and Bone is the fifth novel in his award-winning Jay Porter series.
In the early 2000s, a string of abductions rocked the small upstate town of Reine, New York. Only one girl survived: Alex Salerno. The killer, Ken Parsons, was sent away. Life returned to normal. No more girls would have to die. Until another one did.
It’s been seven years since Kira Shanks was reported missing and presumed dead. Alex Salerno has been living in New York City, piecemealing paychecks to earn a livable wage, trying to forget those three days locked underground and her affair with Sean Riley, the married detective who rescued her. When Noah Lee, hometown reporter with a journalistic pedigree, requests an interview, Alex returns to Reine and Riley, reopening old wounds. What begins as a Q&A for a newspaper article soon turns into an opportunity for money, closure and—justice. The disappearance of Kira Shanks has long been hung on Benny Brudzienski, a hulking man-child who is currently a brain-addled guest at the Galloway State Mental Hospital. But after Alex reconnects with ex-classmates and frenemies, doubts are cast on that guilt. Alex is drawn into a dangerous game of show and tell in an insular town where everyone has a secret to hide. And as more details emerge about the night Kira Shanks went missing, Alex discovers there are some willing to kill to protect the horrific truth.
In the modern vein of Dark Places and Mystic River, The One That Got Away is a dark, psychological thriller featuring a compelling, conflicted heroine and a page-turning narrative that races toward its final, shocking conclusion.
Praise for THE ONE THAT GOT AWAY:
“A great book! I devoured it. Taut, pacey and with a powerful sense of place, Joe Clifford’s The One That Got Away is an intelligent and astutely observed piece of American small-town noir.” —Paula Hawkins, New York Times bestselling author of The Girl on the Train and Into the Water
“Joe Clifford is a gifted storyteller with a knack for crafting characters who are entirely human. The One That Got Away is dark and unforgiving, a chilling crime novel with the perfect touch of tenderness that will keep readers turning the pages with haste. This is one book you won’t be able to put down. —Mary Kubica, New York Times bestselling author of The Good Girl and Every Last Lie
“The mystery of The One That Got Away sucked me in, but it was the emotional punch of Alex Salerno’s return home that broke my heart. With its sharply observed characters and setting and crime-thriller pace, its tough exterior belies a vast, unexpected tenderness. I cannot not quit thinking about this book.” —Emily Carpenter, author of Burying the Honeysuckle Girls and The Weight of Lies
“It’s not often that I read a top-notch thriller with layers of emotion buried within each page. On the surface, Joe Clifford’s story of a young woman who survived a kidnapping and returns to her hometown to investigate a seemingly similar disappearance is compulsively readable, but when you dig a little deeper, you discover there’s so much more to unpack. The One That Got Away is by far Clifford’s best and most fully realized novel to date, and might well be the most rewarding thriller I’ve read this year.” —Jennifer Hillier, author of Jar of Hearts
“Joe Clifford crafts a unique detective story with a flawed central character in Alex Salerno. His true skill lies in that he was able to make the Northeastern town of Reine into the co-central character, one even more flawed than Alex. Its life is even more sullied, darker and full of worse choices than hers ever could have been, and that is the gritty magic of the book. Read the novel for the last few pages, which are delicious in their noir conclusion.” —Ryan Sayles, author of Albatross
“This seething story of small-town noir should appeal to fans of Jeffery Deaver’s The Bone Collector.” —Publishers Weekly
Homicide cop Eve Dallas and her billionaire husband, Roarke, are building a brand-new school and youth shelter. They know that the hard life can lead kids toward dangerous crossroads—and with this new project, they hope to nudge a few more of them onto the right path. For expert help, they hire child psychologist Dr. Rochelle Pickering—whose own brother pulled himself out of a spiral of addiction and crime with Rochelle’s support.
Lyle is living with Rochelle while he gets his life together, and he’s thrilled to hear about his sister’s new job offer. But within hours, triumph is followed by tragedy. Returning from a celebratory dinner with her boyfriend, she finds Lyle dead with a syringe in his lap, and Eve’s investigation confirms that this wasn’t just another OD. After all his work to get clean, Lyle’s been pumped full of poison—and a neighbor with a peephole reports seeing a scruffy, pink-haired girl fleeing the scene.
Now Eve and Roarke must venture into the gang territory where Lyle used to run, and the ugly underground world of tattoo parlors and strip joints where everyone has taken a wrong turn somewhere. They both believe in giving people a second chance. Maybe even a third or fourth. But as far as they’re concerned, whoever gave the order on Lyle Pickering’s murder has run out of chances...