關於這本電子書
My Mother's Body, Marge Piercy's tenth book of poetry, takes its title from one of her strongest and most moving poems, the climax of a powerful sequence of Poems to her mother. Rooted in an honest, harrowing, but ally ecstatic confrontation of the mother / daughter relationship in all its complexity and intimacy, it is at the same time an affirmation of continuity and identification.
"The Chuppah" comprises poems actually used in her wedding ceremony with Ira Wood. This section sings with powerfully female love poetry. There is also a sustained and direct use of her Jewish identity and faith in these poems, as there is in a number of other poems throughout the volume.
Readers of Piercy's previous collections will not be surprised to encounter her mixture of the personal and the political, her love of animals and the Cape landscape. There are poems about doing housework, about accidents, about dreaming, about bag ladies, about luggage, about children's fears of nuclear holocaust; about tomcats, insects in the rafters, the influence of a name, appleblossoms and blackberries, pollution, and some of the ways women objectify one another. In "Does the light fail us, or do we fail the light?" Piercy writes with lacerating honesty about our relationships with the elderly and about hers with her father.
Some of the most moving poems are domestic, as in the final sequence, "Six underrated pleasures," which finds in daily women's tasks both pleasure and mystery, affirmation of serf and connection with the mother.
In all, My Mother's Body is one of Piercy's most powerful and balanced collections.
"The Chuppah" comprises poems actually used in her wedding ceremony with Ira Wood. This section sings with powerfully female love poetry. There is also a sustained and direct use of her Jewish identity and faith in these poems, as there is in a number of other poems throughout the volume.
Readers of Piercy's previous collections will not be surprised to encounter her mixture of the personal and the political, her love of animals and the Cape landscape. There are poems about doing housework, about accidents, about dreaming, about bag ladies, about luggage, about children's fears of nuclear holocaust; about tomcats, insects in the rafters, the influence of a name, appleblossoms and blackberries, pollution, and some of the ways women objectify one another. In "Does the light fail us, or do we fail the light?" Piercy writes with lacerating honesty about our relationships with the elderly and about hers with her father.
Some of the most moving poems are domestic, as in the final sequence, "Six underrated pleasures," which finds in daily women's tasks both pleasure and mystery, affirmation of serf and connection with the mother.
In all, My Mother's Body is one of Piercy's most powerful and balanced collections.
關於作者
Marge Piercy is the author of fifteen collections of poetry, including The Art of Blessing the Day; Early Grrrl; Mars and Her Children, My Mother’s Body; Available Light; Stone, Paper, Knife; The Moon Is Always Female; and her selected poems, Circles on the Water. Her book of craft essays, Parti-Colored Blocks for a Quilt, is part of the Poets on Poetry series of the University of Michigan Press, and she edited a poetry anthology, Early Ripening. In 1990 her poetry won the Golden Rose, the oldest poetry award in the country. She has written fourteen novels, including He, She and It (winner of the Arthur C. Clarke Award), The Longings of Women and City of Darkness, City of Light. The novel Storm Tide, co-authored with her husband, Ira Wood, was published in June 1998. Her fiction and poetry have been translated into sixteen languages. She and her husband live on Cape Cod.
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