Nanoshock

· Jabberwocky Literary Agency, Inc.
Carte electronică
400
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Despre această carte electronică

K. C. Alexander follows up their high-energy, high-tech dystopian Necrotech with “brutal, unapologetic, sexy cyberpunk” (Scott Sigler) that hits the ground and tears it all to hell...

Riko’s landed teeth-first in hell and ass-deep in a shredded reputation. Thanks to a run-in with two corporations, a nasty case of mixed-up memories and a worse case of betrayal stamped on her back, she’s got a trail of dead friends and bad choices behind her no credible merc wants to touch. She’s officially on the outs, and on-the-outs-mercs of her caliber are glorified stepping stones for every freak job, chumhead, and chromed-out wannabe who thinks they can take her on.

If that wasn’t bad enough, her street doc’s left her, her old team doesn’t trust her, the cop in her pocket’s getting delusions of grandeur, and those corp suits keep sending in the jackboot clowns. All of it is getting in the way of what she wants most—to find who landed her in the lab where everything all started, who made her girlfriend into patient zero Necro Mary there, and what turned a four block radius into a playground for every saint’s worst nightmare.

Plan’s simple: tear everything and everybody apart until somebody says something smart. That’s easy. It’s the execution that’s going to hurt.

“Nanoshock crushes everything in its path... It is a steel-fisted punch in the mouth”— Scott Sigler, #1 bestselling author of the Generations trilogy

K. C. Alexander doesn’t ‘write’ so much as she fires words into your cerebral cortex with an electromagnetic railgun.”— Chuck Wendig, New York Times bestselling author of Star Wars: Aftermath and Invasive

“An intense, gleefully profane, fearlessly inventive, unapologetically grimy cyberpunk caper with an unforgettable protagonist.”— Barnes & Noble Sci-Fi & Fantasy Magazine

Despre autor

K. C. Alexander is the author of transhumanist sci-fi Necrotech and co-author of Mass Effect: Nexus Uprising. Specialties are voice-driven prose and imperfect characters.

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