Oh My, the Horror! #1

· · · ·
· SnowyWorks
3.5
13 opiniones
Libro electrónico
28
Páginas
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Oh My, the Horror! The first issue in a new horror anthology series. Collects six spooky and thrilling short stories all in their black and white glory.


Get lost in tales of adolescent revenge, a serial murderer on the loose, superheroes expired success, a man's demonized devotion, and more!


Features:

The Librarian

Story: Julio Paz

Art: Edu Pelayo

Letters: H. Molina


Pumpkinman by Brian Judge


Toadstools

Story: Jonathan Chance

Art: Monika Laprus-Wierzejska

Colors: Zachary Kjoge

Letters: Wes Locher


Reckoning

Story/Art: Michael Tyler

Letters: Drew D. Lenhart


The Covenant

Story: Julio Paz

Art: Cristian Navarro

Letters: Matias Zanetti


Noodles by Louie Escauriaga

Calificaciones y opiniones

3.5
13 opiniones

Acerca del autor

British filmmaker Jonathan Chance began his career as one-half of acclaimed guerrilla film production company Chance Encounters. With his brother Richard, Jonathan followed their first feature The Veil with nominated shorts Chainmail and The Day I Tried to Live, which took the 2008 Action on Film International Film Festival (AOF) Special Jury Prize. In 2009, their feature script, The Waiting Room, was nominated for "Best Horror Screenplay." Jonathan found personal success in a lifelong fascination with Borley Rectory resulting in the "Best Nominated Screenplay" at Shriekfest which is being adapted into a new vision of horror titled The Rectory. In 2019 Jonathan branched his creativity and ambition into a new realm and medium in the form of a Graphic Horror Novel Anthology. Never By Night: Disturbing Passages into the Unknown; a showcase piece containing four stories including a teaser prequel storyline to The Rectory. The ongoing book's mission is to intricately champion industry talent and talented newcomers alike in its pages and of 2020, NBN Volume 2 is in the works as Jonathan also completes a epic fantasy Kaiju one-shot to be released titled "The Boy who Conquered the Mountain".

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