Rock Crystal

Adalbert Stifter

dic 2015 · New York Review of Books

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Seemingly the simplest of stories—a passing anecdote of village life— Rock Crystal opens up into a tale of almost unendurable suspense. This jewel-like novella by the writer that Thomas Mann praised as "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature" is among the most unusual, moving, and memorable of Christmas stories. Two children—Conrad and his little sister, Sanna—set out from their village high up in the Alps to visit their grandparents in the neighboring valley. It is the day before Christmas but the weather is mild, though of course night falls early in December and the children are warned not to linger. The grandparents welcome the children with presents and pack them off with kisses. Then snow begins to fall, ever more thickly and steadily. Undaunted, the children press on, only to take a wrong turn. The snow rises higher and higher, time passes: it is deep night when the sky clears and Conrad and Sanna discover themselves out on a glacier, terrifying and beautiful, the heart of the void. Adalbert Stifter's rapt and enigmatic tale, beautifully translated by Elizabeth Mayer and Marianne Moore, explores what can be found between Christmas Eve and Christmas Day—or on any night of the year.

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Adalbert Stifter (1805–1868), the son of a provincial linen weaver and flax merchant, was born in the rural Bohemian market town of Oberplan, then part of the Austrian Empire but today in the Czech Republic. When Stifter was still a child, his father was crushed under an overturned cart; the family was left poor, but Stifter’s grandfather sent him to school at the the Benedictine Monastery of Kremsmunters and he proved a brilliant student. Stifter attended the University of Vienna, where he studied law but failed to obtain a degree. Instead he supported himself as a much sought-after tutor to the children of the high Viennese aristocracy while also acquiring a small reputation as a landscape painter. For a number of years Stifter eagerly courted the daughter of a rich businessman, but his lack of worldly position turned her family against him, and in 1835 he married Amelia Mohaupt, a milliner. In 1840, he published his first story, the success of which started him on a career as a writer, and in 1850, after working as an editor on two newspapers, he was appointed supervisor of elementary schools for Upper Austria. Stifter’s works include numerous stories and novellas, as well as Witiko, a historical novel, and Indian Summer, considered one of the finest examples of the German bildungsroman. Stifter’s mental and physical health deteriorated in his final years. In 1868, suffering from cirrhosis of the liver, he committed suicide.

W.H. Auden (1907–1973) was an English poet, playwright, and essayist who lived and worked in the United States for much of the second half of his life. His work, from his early strictly metered verse, and plays written in collaboration with Christopher Isherwood, to his later dense poems and penetrating essays, represents one of the major achievements of twentieth-century literature.

Elizabeth Mayer (1884-1970) was a German-born American translator and editor. In the 1940s her homes in Long Island and New York served as artistic salons for many émigré writers.

Marianne Moore (1887-1972) was a poet, essayist, book reviewer, and translator. She is considered one of the greatest poets of the twentieth century.