关于此电子书
This book explores how Romanticism was shaped by practices of popular magic. It seeks to identify the place of occult activity and culture – in the form of curses, spells, future-telling, charms and protective talismans – in everyday life, together with the ways in which such practice figures, and is refigured, in literary and political discourse at a time of revolutionary upheaval. What emerges is a new perspective on literature’s material contexts in the 1790s – from the rhetorical, linguistic and visual jugglery of the revolution controversy, to John Thelwall’s occult turn during a period of autobiographical self-reinvention at the end of the decade. From Wordsworth’s deployment of popular magic as a socially and politically emancipatory agent in Lyrical Ballads, to Coleridge’s anxious engagement with superstition as a despotic system of ‘mental enslavement’, and Robert Southey’s wrestling with an (increasingly alluring) conservatism he associated witha reliance on ultimately incarcerating systems of superstition.
作者简介
Stephanie Elizabeth Churms completed her PhD at Aberystwyth University in September 2016 under the supervision of Prof. Damian Walford Davies. Her first article, ‘“There was One Man at Llyswen that could Conjure”: John Thelwall – Cunning Man’, was published in the July 2013 edition of Romanticism. She has also presented papers at several international conferences, including ‘The Wye Valley: Romantic Representations, 1640-1830’ (2011), ‘Locating Revolution: Place, Voice, Community, 1780–1820’ (2012), ‘Visions of Enchantment: Occultism, Spirituality and Visual Culture’ (2014), and the Bicentennial Keats Conference ‘John Keats: Poet-Physician, Physician-Poet, 1815-1821’ (2015).
为此电子书评分
欢迎向我们提供反馈意见。
如何阅读
智能手机和平板电脑
笔记本电脑和台式机
您可以使用计算机的网络浏览器聆听您在 Google Play 购买的有声读物。
电子阅读器和其他设备
如果要在 Kobo 电子阅读器等电子墨水屏设备上阅读，您需要下载一个文件，并将其传输到相应设备上。若要将文件传输到受支持的电子阅读器上，请按帮助中心内的详细说明操作。
