Samskara: A Rite for a Dead Man

· New York Review of Books
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Samskara is one of the acknowledged masterpieces of modern world literature, a book to set beside Chinua Achebe’s Things Fall Apart and Tayeb Salih’s Season of Migration to the North. Taking its name from a Sanskrit word that means “rite of passage” but also “moment of recognition,” it begins when Naranappa, an inhabitant of a small south Indian town and a renegade Brahmin who has scandalously flouted the rules of caste and purity for years, eating meat, drinking alcohol, marrying beneath him, mocking God, unexpectedly falls ill and dies. The question of whether he should be buried as a Brahmin divides the other Brahmins in the village. For an answer they turn to Praneshacharyah, the most devout and respected member of their community, an ascetic who also tends religiously to his invalid wife.
 
Praneshacharyah finds himself unable to provide the answer, though an answer is urgently needed since as he wonders and the villagers wait and the body festers, more and more people are falling sick and dying. But when Praneshacharyah goes to the temple to seek a sign from God, he discovers something else entirely—unless that something else is also God.
 
Samskara is a tale of existential suspense, a life-and-death encounter between the sacred and the profane, the pure and the impure, the ascetic and the erotic.

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U.R. Ananthamurthy (1932–2014) was a novelist, short-story writer, poet, playwright, and literary critic. He was one of India’s most celebrated modern writers, a recipient of the Jnanpith Award (India’s foremost literary prize), and an important representative of the New Movement in Kannada-language literature. 
 
A.K. Ramanujan (1929–1993) was born Attipat Krishnaswami Ramanujan in Mysore, India. He is a poet in English and Kannada, a translator from Kannada and Tamil, as well as a scholar, folklorist, philologist, playwright, and essayist. NYRB Poets publishes The Interior Landscape, an anthology of classical Tamil poems translated by Ramanujan.

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