Second Variety and Other Stories: Science Fiction Works
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The claws were bad enough in the first place—nasty, crawling little death-robots. But when they began to imitate their creators, it was time for the human race to make peace—if it could!
The Russian soldier made his way nervously up the ragged side of the hill, holding his gun ready. He glanced around him, licking his dry lips, his face set. From time to time he reached up a gloved hand and wiped perspiration from his neck, pushing down his coat collar.
Eric turned to Corporal Leone. “Want him? Or can I have him?” He adjusted the view sight so the Russian’s features squarely filled the glass, the lines cutting across his hard, somber features.
Leone considered. The Russian was close, moving rapidly, almost running. “Don’t fire. Wait.” Leone tensed. “I don’t think we’re needed.”
The Russian increased his pace, kicking ash and piles of debris out of his way. He reached the top of the hill and stopped, panting, staring around him. The sky was overcast, drifting clouds of gray particles. Bare trunks of trees jutted up occasionally; the ground was level and bare, rubble-strewn, with the ruins of buildings standing out here and there like yellowing skulls.
The Russian was uneasy. He knew something was wrong. He started down the hill. Now he was only a few paces from the bunker. Eric was getting fidgety. He played with his pistol, glancing at Leone.
“Don’t worry,” Leone said. “He won’t get here. They’ll take care of him.”
“Are you sure? He’s got damn far.”
“They hang around close to the bunker. He’s getting into the bad part. Get set!”
The Russian began to hurry, sliding down the hill, his boots sinking into the heaps of gray ash, trying to keep his gun up. He stopped for a moment, lifting his fieldglasses to his face.
“He’s looking right at us,” Eric said.
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Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American writer, whose published works mainly belong to the genre of science fiction. Dick explored philosophical, sociological and political themes in novels with plots dominated by monopolistic corporations, authoritarian governments, and altered states of consciousness. In his later works, Dick's thematic focus tended to reflect his personal interest in metaphysics and theology.
He often drew upon his life experiences in addressing the nature of drug abuse, paranoia, schizophrenia, and transcendental experiences in novels such as A Scanner Darkly and VALIS. Later in life, he wrote non-fiction on philosophy, theology, the nature of reality, and science. This material was published posthumously as The Exegesis.
