The Divine Comedy: Top Classic Poetry

Dante Alighieri

oct 2015 · Top Classic Poetry Libro 1 · 谷月社

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The Divine Comedy (Italian: Divina Commedia) is an epic poem by Dante Alighieri, begun c. 1308 and completed 1320, a year before his death in 1321. It is widely considered the preeminent work of Italian literature and is seen as one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.

On the surface, the poem describes Dante's travels through Hell, Purgatory, and Paradise or Heaven; but at a deeper level, it represents, allegorically, the soul's journey towards God. At this deeper level, Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy and the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse".

The work was originally simply titled Comedìa and was later christened Divina by Giovanni Boccaccio. The first printed edition to add the word divina to the title was that of the Venetian humanist Lodovico Dolce, published in 1555 by Gabriele Giolito de' Ferrari.

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 Durante degli Alighieri, simply called Dante (1265–1321), was a major Italian poet of the late Middle Ages. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Boccaccio, is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature.

In the late Middle Ages, the overwhelming majority of poetry was written in Latin, and therefore accessible only to affluent and educated audiences. In De vulgari eloquentia/On Eloquence in the Vernacular, however, Dante defended use of the vernacular in literature. He himself would even write in the Tuscan dialect for works such as The New Life (1295) and the aforementioned Divine Comedy; this choice, although highly unorthodox, set a hugely important precedent that later Italian writers such as Petrarch and Boccaccio would follow. As a result, Dante played an instrumental role in establishing the national language of Italy. Dante's significance also extends past his home country; his depictions of Hell, Purgatory, and Heaven have provided inspiration for a large body of Western art, and are cited as an influence on the works of John Milton, Geoffrey Chaucer, William Shakespeare, and Lord Alfred Tennyson, among many others. In addition, the first use of the interlocking three-line rhyme scheme, or the terza rima, is attributed to him.

Dante has been called "the Father of the Italian language". In Italy, Dante is often referred to as il Sommo Poeta ("the Supreme Poet") and il Poeta; he, Petrarch, and Boccaccio are also called "the three fountains" or "the three crowns".