The Highwaymen: Warriors of the Information Superhighway

· Distribuido por Random House
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A struggle is taking place--not just among corporate titans, but among entire industries. At stake is control of the world's fastest-growing industry: communications. The contestants are Hollywood studios, television networks, and cable, telephone, computer, publishing, and consumer-electronics companies. All are vying to collect a toll on the information superhighway. And as they jockey for control, they tread on volatile ground, as one fixation after another (cable, interactive TV) is dumped in favor of the next (satellite, the Internet).

There is no better account of this turmoil than the one provided here by Ken Auletta, bestselling author of Three Blind Mice ("the best book ever written on network television"*) and Greed and Glory on Wall Street, who for five years has brilliantly tracked the communications industry for The New Yorker. Auletta's access to the principal players is unparalleled (six days with Rupert Murdoch, summit meetings with John Malone), and his grasp of the issues--from boardroom politics to regulatory and technological pressures--is unmatched by any other journalist.

In this riveting collection of his best pieces Auletta takes the reader on a behind-the-scenes tour of such companies as Disney, Viacom, Microsoft, Time Warner, and Telecommunications, Inc., and keenly chronicles the vanities and visions of the new Highwaymen--Rupert Murdoch, Ted Turner, Michael Eisner, Sumner Redstone, Bill Gates, and more. Just as Three Blind Mice was heralded as "the new bible of the broadcasting business,"  The Highwaymen will be received as an indispensable guide to the future of this explosive new world.

* Frank Stanton, former president of CBS

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Ken Auletta is the author of two national bestsellers, Three Blind Mice and Greed and Glory on Wall Street, as well as The Underclass, The Streets Were Paved with Gold, and The Art of Corporate Success. Since 1992 he has been the "Annals of Communications"  columnist for The New Yorker, for whom he has written since 1978. His pieces have also appeared in Vanity Fair, The New York Review of Books, The New York Times Magazine, New York, the Daily News, and The Village Voice.

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