The Spy in the Ointment

Donald E. Westlake

พ.ค. 2018 · Open Road Media

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The three-time Edgar Award–winning Grand Master of Mystery serves up a dangerous case of mistaken identity in “the best spy comedy I have ever read” (The New York Times).
 
J. Eugene Raxford is not what anyone would call a debonair man of action. He has no class, no skills, and all the physical prowess of a napping tree sloth. James Bond would think twice before letting him park the Aston Martin.
 
Though he is a devoted pacifist, Raxford is also—thanks to a tragically consequential typo—the supposed leader of a half-baked and violent radical organization. That’s why the FBI wants him to go undercover and spy on the consortium of real-life terrorists and deadly assassins.
 
Now, with the help of his girlfriend—who is even more clueless than he—Raxford is about to enter a realm of danger and deception unlike any he has ever imagined. And the safety of the entire world depends on his every move.
 
“If the suspense doesn’t kill you, the laughter will.” —The Atlanta Journal-Constitution
 
“Inventive . . . Wholly delightful.” —The New York Times
 
“No writer can excel Donald E. Westlake . . . but he has excelled himself . . . If you miss it, you’ll regret it.” —Los Angeles Times
 
Praise for Donald E. Westlake
“Westlake has no peer in the realm of comic mystery novelists.” —San Francisco Chronicle
 

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Donald E. Westlake (1933–2008) was one of the most prolific and talented authors of American crime fiction. He began his career in the late 1950s, churning out novels for pulp houses—often writing as many as four novels a year under various pseudonyms—but soon began publishing under his own name. His most well-known characters were John Dortmunder, an unlucky thief, and a ruthless criminal named Parker. His writing earned him three Edgars and a Grand Master Award from the Mystery Writers of America.
 
Westlake’s cinematic prose and brisk dialogue made his novels attractive to Hollywood, and several motion pictures were made from his books, with stars such as Lee Marvin and Mel Gibson. Westlake wrote several screenplays himself, receiving an Academy Award nomination for his adaptation of The Grifters, Jim Thompson’s noir classic.