Touchstones: A Memoir

James McNeish

2012年7月 · 出版商：Penguin Random House New Zealand Limited

關於這本電子書

A memoir that is at once a self-portrait, a hymn to a vanishing New Zealand, and a record of a varied cast of influential people. A young man leaves home a deckhand on a Norwegian freighter, to travel the world. He returns to New Zealand changed almost beyond recognition. Along the way he meets nine people who influence his life and help make him the writer he becomes. James McNeish's Touchstones has a cast of characters who include 'the Mother Courage of the English theatre', an anti-Mafia reformer in Sicily, a Kanak revolutionary who is assassinated, a rejected cousin and 'Mr Punch in naval uniform', the New Zealand poet Denis Glover. All are larger than life. Some of them, like the author's mysterious Maori aunt, are good enough to bottle. The book is witty, poignant and in the words of its editor, Emma Neale, 'rich in astonishing anecdote'.

關於作者

James McNeish, novelist, playwright and biographer, lives in New Zealand. He is the author of over 25 books and plays, and his work has received acclaim both in New Zealand and internationally. In the 1960s he worked in London’s Theatre Workshop, known for its socially committed drama, wrote and presented feature and documentary programmes for BBC Radio, and wrote for The Guardian and The Observer. As critic Denis Welsh has observed, the ‘themes close to the writer’s heart [are] the nature of justice, the quest for truth, race relations, prison rehabilitation, and the reliability of memory’. In 2010 he received the Prime Minister’s Award for Literary Achievement in Non-Fiction. He was knighted for services to literature in 2011. The New Zealand Listener noted that McNeish’s standing is ‘perhaps unique among New Zealand writers in the facility with which he has moved back and forth between fiction and non-fiction’, while The New Zealand Herald has identified him as ‘A major figure in New Zealand literature . . . His writing is masterful, his attention to detail and his ear for long-ago conversations extraordinary. Most of all, he writes with an emotion that touches the spirit.’ In an interview in Weekend (26 June 2010), McNeish admitted: ‘I’ve always been an outsider, and I’m quite comfortable with that. To retain your critical sense in a small society like New Zealand, you have to stand apart.’ Touchstones, described in D Scene as ‘part autobiography, part reverie, part family history but entirely entertaining’, met with critical acclaim, and won over a new generation of readers. ‘Like a bird migrating into the past, James McNeish touches down on moments, hovers over their meanings, then hurries on in this nimble narrative. As a first-time reader of McNeish, Touchstones . . . left me wanting to read more.’ — Capital Times As many reviewers have commented, Touchstones offers not just an insight into the origins of McNeish the writer, but also encapsulates his modus operandi: ‘This enchanting work . . . offers snippets of a rich, well-told life story . . .Touchstones are vignettes; half-remembered encounters and never to be forgotten moments. It is a book which roams widely, but never loses its direction. It offers glimpses, but makes you feel you have a sense of the whole of the man. It’s a wee gem of a book,’ D Scene wrote. In reviewing Touchstones, New Zealand Books said ‘the voice in which it is written — compassionate, humorous, knowledgeable, sane, wise — has been distilled out of a lifetime of action and commitment, an engagement with the real world, a conviction that writing isn’t something that exists for itself but as a tool with which we can make change happen. Such voices are rare and now, more than ever, we need them — as much as we need the very air we breathe.’ The reviewer went on to say: ‘One of the enticing things about McNeish as a writer is, precisely, his ambivalence as to whether he really does want to know all; along with a suspicion that such knowledge may not finally be possible: his innate scepticism, mixed with an insatiable curiosity, makes an unlikely thriller out of his inquiry into the most of ordinary of circumstances.’ McNeish told the Christchurch Weekend Press that Touchstones is ‘a kind of disguised autobiography, a bit like Dan Davin’s Closing Times’, sharing that memoir’s focus not on the writer but on important people in his life, and also, in McNeish’s case, on an important place.