Uncle Tom's Cabin (Third Edition) (Norton Critical Editions): Edition 3
O ovoj e-knjizi
“I will definitely use this edition again. The critical materials at the end of the book helped my students to have informed, productive class discussions.” —Heidi Oberholtzer Lee, University of Notre Dame
This Norton Critical Edition includes:
- The 1852 first book edition, accompanied by Elizabeth Ammons’s preface, note on the text, and explanatory annotations.
- Twenty-two illustrations.
- A rich selection of historical documents on slavery and abolitionism.
- Seventeen critical reviews spanning more than 160 years.
- A Chronology, A Brief Time Line of Slavery in America, and an updated Selected Bibliography.
About the Series
Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
O autoru
Harriet Beecher Stowe (1811-1896) was an American abolitionist and author. Stowe's novel Uncle Tom's Cabin (1852) depicted life for African-Americans under slavery; it reached millions as a novel and play, and became influential in the U.S. and Britain and made the political issues of the 1850s regarding slavery tangible to millions.
Elizabeth Ammons is the Harriet H. Fay Professor of Literature at Tufts University. She is the author of Conflicting Stories: American Women Writers at the Turn into the Twentieth Century, Edith Wharton’s Argument with America, and Brave New Worlds: How Literature Will Save the Planet. She is the editor or co-editor of many books, including Tricksterism in Turn-of-the-Century American Literature: A Multi-Cultural Perspective, Uncle Tom’s Cabin: A Casebook, American Color Writing, 1880-1920, Short Fiction by Black Women, 1900–1920, and the Norton Critical Edition of Edith Wharton’s The House of Mirth.
