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More and more every day I find myself drawn into the puzzle of her speech, determined to unravel meaning in each sentence, because now I’m sure it’s there, if I only listen to her in a way I have failed to listen for thirty years. – From Vital Signs by Tessa McWatt
When Anna, Mike's beautiful and self-possessed wife, begins to mangle her sentences as a result of a brain aneurysm that could kill her at any moment, it's as if Mike has woken from a long dream in which he was only thinking about himself.
Or is he still only thinking about himself?
Incoherent with guilt, he uses his talent as a graphic artist to draw his way closer to his wife, trying to communicate with her, and himself too, through signs and symbols. In his panic to show his wife that she has been his entire universe, will he finally confess all the ways in which he rebelled against her power over him, the way he betrayed her?
In this poignant and profoudnly intimate novel, Tessa McWatt takes us deep into the workings of a couple in crisis, into the lies and the truths necessary to sustain a marriage, teasing out the unspoken rules that run—or ruin—relationships.
When Anna, Mike's beautiful and self-possessed wife, begins to mangle her sentences as a result of a brain aneurysm that could kill her at any moment, it's as if Mike has woken from a long dream in which he was only thinking about himself.
Or is he still only thinking about himself?
Incoherent with guilt, he uses his talent as a graphic artist to draw his way closer to his wife, trying to communicate with her, and himself too, through signs and symbols. In his panic to show his wife that she has been his entire universe, will he finally confess all the ways in which he rebelled against her power over him, the way he betrayed her?
In this poignant and profoudnly intimate novel, Tessa McWatt takes us deep into the workings of a couple in crisis, into the lies and the truths necessary to sustain a marriage, teasing out the unspoken rules that run—or ruin—relationships.
Acerca del autor
Tessa McWatt was born in Georgetown, Guyana, and was three years old when her family moved to Canada. Raised in Toronto in an extended family, she pursued literature, sports and music, but knew from a very young age that she wanted to write. She studied English at Queen’s University and later at the University of Toronto, where her Master’s degree focused on post-colonial literature, exploring themes of the outsider in society and conflicting notions of belonging.
Upon completing her university studies McWatt was employed as an editor and college instructor, living in Montreal, Paris and Ottawa. Published in 1998, her first novel, Out of My Skin, is the story of an adopted Canadian woman trying to define her roots. Her second novel, Dragons Cry (2000), explores family relationships and love and was shortlisted for the City of Toronto Book Award and the Governor General’s Literary Award for Fiction.
In 1999 McWatt moved to London, England, to research her third novel, This Body (2004). While working part-time teaching creative writing and helping to raise two children, she began to explore a new European angle to the themes of family, memory, migration and post-colonialism. She also wrote a young-adult novella titled There’s No Place Like . . . (2004). Step Closer (2009), her fourth novel, was researched and written while travelling in Canada, Spain, Kenya and Scotland.
McWatt developed and leads the MA Writing: Imaginative Practice at the University of East London, a program that fosters new writing through encouraging students to experiment with hybridity and to move beyond traditional notions of form and genre. Exploring different forms of writing, she collaborated with a graphic artist for Vital Signs, her latest novel. McWatt is also working with John Berger, the British novelist, painter and art historian, to develop a film based on his novel To the Wedding.
McWatt divides her time between her two extended families in London, England, and Toronto, Canada.
Aleksandar Macasev is a New York-based visual artist.
Upon completing her university studies McWatt was employed as an editor and college instructor, living in Montreal, Paris and Ottawa. Published in 1998, her first novel, Out of My Skin, is the story of an adopted Canadian woman trying to define her roots. Her second novel, Dragons Cry (2000), explores family relationships and love and was shortlisted for the City of Toronto Book Award and the Governor General’s Literary Award for Fiction.
In 1999 McWatt moved to London, England, to research her third novel, This Body (2004). While working part-time teaching creative writing and helping to raise two children, she began to explore a new European angle to the themes of family, memory, migration and post-colonialism. She also wrote a young-adult novella titled There’s No Place Like . . . (2004). Step Closer (2009), her fourth novel, was researched and written while travelling in Canada, Spain, Kenya and Scotland.
McWatt developed and leads the MA Writing: Imaginative Practice at the University of East London, a program that fosters new writing through encouraging students to experiment with hybridity and to move beyond traditional notions of form and genre. Exploring different forms of writing, she collaborated with a graphic artist for Vital Signs, her latest novel. McWatt is also working with John Berger, the British novelist, painter and art historian, to develop a film based on his novel To the Wedding.
McWatt divides her time between her two extended families in London, England, and Toronto, Canada.
Aleksandar Macasev is a New York-based visual artist.
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