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Linda Bertelli, Chronophotography as an archive. The dialogue between the physiologist and the artist in Le Mouvement by Étienne-Jules Marey (1894).
Sonia Colavita, The aesthetics of cut in found footage film. The case of Decasia by Bill Morrison.
Maria Giusti, Rediscovering censorship to understand the struggle for the contemporaneous age-oriented movie rating systems.
Laura Forti, Francesca Leonardi, At the border of artistic legitimation. Geography, practices and models of project spaces in Milan.
