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I
variste Gamelin, painter, pupil of David, member of the Section du Pont-Neuf, formerly Section Henri IV, had betaken himself at an early hour in the morning to the old church of the Barnabites, which for three years, since 21st May 1790, had served as meeting-place for the General Assembly of the Section. The church stood in a narrow, gloomy square, not far from the gates of the Palais de Justice. On the façade, which consisted of two of the Classical orders superimposed and was decorated with inverted brackets and flaming urns, blackened by the weather and disfigured by the hand of man, the religious emblems had been battered to pieces, while above the doorway had been inscribed in black letters the Republican catchword of "Liberty, Equality, Fraternity or Death." Évariste Gamelin made his way into the nave; the same vaults which had heard the surpliced clerks of the Congregation of St. Paul sing the divine offices, now looked down on red-capped patriots assembled to elect the Municipal magistrates and deliberate on the affairs of the Section. The Saints had been dragged from their niches and replaced by the busts of Brutus, Jean-Jacques and Le Peltier. The altar had been stripped bare and was surmounted by the Table of the Rights of Man.
It was here in the nave that twice a week, from five in the evening to eleven, were held the public assemblies. The pulpit, decorated with the colours of the Nation, served as tribune for the speakers who harangued the meeting. Opposite, on the Epistle side, rose a platform of rough planks, for the accommodation of the women and children, who attended these gatherings in considerable numbers.
On this particular morning, facing a desk planted underneath the pulpit, sat in red cap andcarmagnole complete the joiner from the Place Thionville, the citoyen Dupont senior, one of the twelve forming the Committee of Surveillance. On the desk stood a bottle and glasses, an ink-horn, and a folio containing the text of the petition urging the Convention to expel from its bosom the twenty-two members deemed unworthy.
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About Anatole France
Anatole France (16 April 1844 – 12 October 1924) was a French poet, journalist, and novelist. He was born in Paris, and died in Saint-Cyr-sur-Loire. He was a successful novelist, with several best-sellers. Ironic and skeptical, he was considered in his day the ideal French man of letters. He was a member of the Académie française, and won the 1921 Nobel Prize in Literature "in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament".
France is also widely believed to be the model for narrator Marcel's literary idol Bergotte in Marcel Proust's In Search of Lost Time.
Anatole France began his literary career as a poet and a journalist. In 1869, Le Parnasse Contemporain published one of his poems, La Part de Madeleine. In 1875, he sat on the committee which was in charge of the third Parnasse Contemporain compilation. As a journalist, from 1867, he wrote many articles and notices. He became famous with the novel Le Crime de Sylvestre Bonnard (1881). Its protagonist, skeptical old scholar Sylvester Bonnard, embodied France's own personality. The novel was praised for its elegant prose and won him a prize from the Académie française.
In La Rotisserie de la Reine Pedauque (1893) Anatole France ridiculed belief in the occult; and in Les Opinions de Jérôme Coignard (1893), France captured the atmosphere of the fin de siècle. France was elected to the Académie française in 1896.
France took an important part in the Dreyfus affair. He signed Émile Zola's manifesto supporting Alfred Dreyfus, a Jewish army officer who had been falsely convicted of espionage. France wrote about the affair in his 1901 novel Monsieur Bergeret.
France's later works include L'Île des Pingouins (1908) which satirizes human nature by depicting the transformation of penguins into humans – after the animals have been baptized by mistake by the nearsighted Abbot Mael. Les dieux ont soif (1912) is a novel, set in Paris during the French Revolution, about a true-believing follower of Robespierre and his contribution to the bloody events of the Reign of Terror of 1793–94. It is a wake-up call against political and ideological fanaticism and explores various other philosophical approaches to the events of the time. La Revolte des Anges (1914) is often considered France's most profound novel. It tells the story of Arcade, the guardian angel of Maurice d'Esparvieu. Arcade falls in love, joins the revolutionary movement of angels, and towards the end realizes that the overthrow of God is meaningless unless "in ourselves and in ourselves alone we attack and destroy Ialdabaoth."
He was awarded the Nobel Prize in 1921. He died in 1924 and is buried in the Neuilly-sur-Seine community cemetery near Paris.
On 31 May 1922, France's entire works were put on the Index Librorum Prohibitorum (Prohibited Books Index) of the Roman Catholic Church. He regarded this as a "distinction". This Index was abolished in 1966.
