“London publisher shot in automatic elevator. Dr. Horatio Glass and Insp. Hornbeam pool wits—and humor—to spot the killer. Neat variation of good old ‘hermetically sealed room’ problem, with two authors—and their sleuths—working beautifully in harness. Verdict: Top Drawer”—The Saturday Review
A seemingly impossible murder in a private elevator draws two sleuths to the case. Inspector Hornbeam and Dr. Horatio Glass are at odds from the beginning, each dismissive of the other’s theories, thus creating an atmosphere as much of competition as cooperation.
From the novel:
The elevator was perhaps six feet square by eight feet high, with steel walls painted to imitate bronze. Sir Ernest Tallant sat very quietly in the rear right-hand corner. His legs were outthrust stiffly, his back bent a little forward; and the brim of the rakish gray hat shaded his face. He might have been a grotesque parody of Little Jack Horner, if it had not been for the widening bloodstains on the left breast of his jacket. His umbrella lay beside him, also looking oddly childish like his posture. Under each roof corner of the elevator there was a tiny electric light; these four little lights illumined even the wrinkles on the backs of the man’s hands, and glittered on the pieces of broken glass.
Published in the United Kingdom as Drop to His Death
“One always embarks
on a John Rhode book with a great sense of security. One knows that there will
be a sound plot, well-knit process of reasoning, and a solidly satisfying
solution with no loose ends or careless errors of fact.”—Dorothy Sayers
From the Jacket:
Fair blew the wind
from France, and the Channel steamer Isle of Jethou rolled a bit in the stiff
south-westerly breeze. But the rough crossing didn’t upset the mysterious
passenger who had locked himself into his cabin as soon as he boarded the boat
at Guernsey. The same desire for seclusion had manifested itself on the boat-train
to Waterloo, for the guard had been presented with a pound-note to reserve a
compartment for Mr. Mystery. But did he travel alone? For at Waterloo the
gentleman from Guernsey was a pretty genuine corpse. Death on the Boat-Train is
a first-rate detective story, once again featuring the coldly clever scientific
mind of Dr. Priestley, John Rhode’s brilliant creation.
A Study in Scarlet is the genre-defining work with which popular crime fiction was born. A potent mix of serial murder, suspense, cryptic clues, red herrings and revenge, the novel introduces us to the world-famous characters of Sherlock Holmes, Dr Watson and Inspector Lestrade and sees Sherlock and Dr Watson meet and join forces for the first time as they track a mysterious killer that stalks London's streets.
In addition to the original text, this edition also has an introduction by Sherlock co-creator Steven Moffat, who explains how it inspired the Sherlock script.
#1 in Hardcover Fiction
#1 in E-book Fiction
#1 in Combined Print and E-book Fiction
"Deep and grand and altogether extraordinary....Miraculous."
—The Washington Post
- The New York Times Book Review
“A Great Reckoning succeeds on every level."
—St. Louis Post-Dispatch
#1 New York Times bestselling author Louise Penny pulls back the layers to reveal a brilliant and emotionally powerful truth in her latest spellbinding novel.
When an intricate old map is found stuffed into the walls of the bistro in Three Pines, it at first seems no more than a curiosity. But the closer the villagers look, the stranger it becomes.
Given to Armand Gamache as a gift the first day of his new job, the map eventually leads him to shattering secrets. To an old friend and older adversary. It leads the former Chief of Homicide for the Sûreté du Québec to places even he is afraid to go. But must.
And there he finds four young cadets in the Sûreté academy, and a dead professor. And, with the body, a copy of the old, odd map.
Everywhere Gamache turns, he sees Amelia Choquet, one of the cadets. Tattooed and pierced. Guarded and angry. Amelia is more likely to be found on the other side of a police line-up. And yet she is in the academy. A protégée of the murdered professor.
The focus of the investigation soon turns to Gamache himself and his mysterious relationship with Amelia, and his possible involvement in the crime. The frantic search for answers takes the investigators back to Three Pines and a stained glass window with its own horrific secrets.
For both Amelia Choquet and Armand Gamache, the time has come for a great reckoning.
Christmas is approaching, and in Québec it's a time of dazzling snowfalls, bright lights, and gatherings with friends in front of blazing hearths. But shadows are falling on the usually festive season for Chief Inspector Armand Gamache. Most of his best agents have left the Homicide Department, his old friend and lieutenant Jean-Guy Beauvoir hasn't spoken to him in months, and hostile forces are lining up against him. When Gamache receives a message from Myrna Landers that a longtime friend has failed to arrive for Christmas in the village of Three Pines, he welcomes the chance to get away from the city. Mystified by Myrna's reluctance to reveal her friend's name, Gamache soon discovers the missing woman was once one of the most famous people not just in North America, but in the world, and now goes unrecognized by virtually everyone except the mad, brilliant poet Ruth Zardo.
As events come to a head, Gamache is drawn ever deeper into the world of Three Pines. Increasingly, he is not only investigating the disappearance of Myrna's friend but also seeking a safe place for himself and his still-loyal colleagues. Is there peace to be found even in Three Pines, and at what cost to Gamache and the people he holds dear?
How the Light Gets In is the ninth Chief Inspector Gamache Novel from Louise Penny.
One of Publishers Weekly's Best Mystery/Thriller Books of 2013
One of The Washington Post's Top 10 Books of the Year
An NPR Best Book of 2013