The Martian Chronicles
Ray Bradbury is a storyteller without peer, a poet of the possible, and, indisputably, one of America's most beloved authors. In a much celebrated literary career that has spanned six decades, he has produced an astonishing body of work: unforgettable novels, including Fahrenheit 451 and Something Wicked This Way Comes; essays, theatrical works, screenplays and teleplays; The Illustrated Mein, Dandelion Wine, The October Country, and numerous other superb short story collections. But of all the dazzling stars in the vast Bradbury universe, none shines more luminous than these masterful chronicles of Earth's settlement of the fourth world from the sun.
Bradbury's Mars is a place of hope, dreams and metaphor-of crystal pillars and fossil seas-where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn -first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars ... and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.
Ray Bradbury's The Martian Chronicles is a classic work of twentieth-century literature whose extraordinary power and imagination remain undimmed by time's passage. In connected, chronological stories, a true grandmaster once again enthralls, delights and challenges us with his vision and his heart-starkly and stunningly exposing in brilliant spacelight our strength, our weakness, our folly, and our poignant humanity on a strange and breathtaking world where humanity does not belong.
A peerless American storyteller, Ray Bradbury brings wonders alive. The Illustrated Man is classic Bradbury— eighteen startling visions of humankind’s destiny, unfolding across a canvas of decorated skin. In this phantasmagoric sideshow, living cities take their vengeance, technology awakens the most primal natural instincts, Martian invasions are foiled by the good life and the glad hand, and dreams are carried aloft in junkyard rockets. Provocative and powerful, Ray Bradbury’s The Illustrated Man is a kaleidoscopic blending of magic, imagination, and truth—as exhilarating as interplanetary travel, as maddening as a walk in a million-year rain, and as comforting as simple, familiar rituals on the last night of the world.
Twelve-year-old Douglas Spaulding knows Green Town, Illinois, is as vast and deep as the whole wide world that lies beyond the city limits. It is a pair of brand-new tennis shoes, the first harvest of dandelions for Grandfather's renowned intoxicant, the distant clang of the trolley's bell on a hazy afternoon. It is yesteryear and tomorrow blended into an unforgettable always. But as young Douglas is about to discover, summer can be more than the repetition of established rituals whose mystical power holds time at bay. It can be a best friend moving away, a human time machine who can transport you back to the Civil War, or a sideshow automaton able to glimpse the bittersweet future.
Come and savor Ray Bradbury's priceless distillation of all that is eternal about boyhood and summer.
There is magic in these pages: the wonders of interstellar flight, a conspiracy of insects, the early bloom of love in the warmth of August. Both the world of Ray Bradbury and its people are vivid and alive, as colorfully unique as a poker chip hand-painted by a brilliant artist or as warmly familiar as the well-used settings on a family's dining room table. In a poor man's desire for the stars, in the twisted night games of a hateful embalmer, in a magnificent fraud perpetrated to banish despair and repair a future, in a writer's wonderful death is the glowing proof of the timeless artistry of one of America's greatest living bards.
The one hundred stories in this volume were chosen by Bradbury himself, and span a career that blossomed in the pulp magazines of the early 1940s and continues to flourish in the new millennium. Here are representatives of the legendary author's finest works of short fiction, including many that have not been republished for decades, all forever fresh and vital, evocative and immensely entertaining. This is Bradbury at his very best -- golden visions of tomorrow, poetic memories of yesterday, dark nightmares and glorious dreams -- a grand celebration of humankind, God's intricate yet poignantly fallible machineries of joy.
EMBEDDED, Kristine Kathryn Rusch
THE LAST TRUE GOD, by Lester del Rey
UP FOR RENEWAL, by Lucius Daniel
THE WAKER DREAMS, by Richard Matheson
THE KING OF THE CITY, by Keith Laumer
LORD OF A THOUSAND SUNS, by Poul Anderson
WHISKABOOM, by Alan Arkin
THE FIRE AND THE SWORD, by Frank M. Robinson
ALL THE PEOPLE, by R.A. Lafferty
DOCTOR, by Murray Leinster
AMATEUR IN CHANCERY, by George O. Smith
CONDITIONALLY HUMAN, by Walter M. Miller, Jr.
BULLET WITH HIS NAME, by Fritz Leiber
A LITTLE JOURNEY, by Ray Bradbury
THE GREAT MUTATION, by Talmage Powell
A MATTER OF MONSTERS, by Manly Banister
THE MERRY MEN OF THE RIVERWORLD, by John Gregory Betancourt
OLD FOUR-EYES, by Chad Oliver
FOUR-LEGGED HOT FOOT, by Mack Reynolds
"--AND ALL FOR ONE," by Jerome Bixby
A LITTLE KNOWLEDGE, by H.B. Hickey
INSIDE EARTH, by Poul Anderson
A MATTER FOR A FUTURE YEAR, by Dean Wesley Smith
DEATH'S WISHER, by Jim Wannamaker
DIDN'T HE RAMBLE, by Chad Oliver
CULTURAL EXCHANGE, by Keith Laumer
FROM AN UNSEEN CENSOR, by Rosel George Brown
SMALL TOWN, by Philip K. Dick
FIREBIRD, by Tony Rothman [Novel Serial, Part 3 of 3]
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