I want to live my life in peace for a little while as opposed to pieces. I don’t know who I have to bribe to catch a break, but I’m willing to pay the big bucks.
Apparently, no one got the memo. Midlife is one messy ride.
Fine. I’m off to Lexington, Kentucky to find a self-proclaimed dragon who sports a mullet, beer belly, and delusions of Immortal grandeur. This time he’s gone too far. He’s messed with me and mine for the last time.
The way to end a dragon is to remove his tail. We thought we had. A tail is in the back. Right?
Wrong.
So, so wrong.
With the love of my Immortal life by my side along with a few smack-talking, geriatric Nephilim and a foul-mouthed, toothpick loving Keeper of Fate, I’m ready.
And when it’s done, I’m taking a freaking vacation. I’ve earned it.
It’s time to slay the dragon for good.
This time there will be no mercy.
NYT and USA Today bestselling author, Robyn Peterman writes because the people inside her head won’t leave her alone until she gives them life on paper. She writes snarky, sexy, funny paranormal and snarky, sexy, funny contemporaries. Her addictions include laughing really hard with friends, shoes (the expensive kind), Target, Coke with extra ice in a Yeti cup, bejeweled reading glasses, her kids, her super-hot hubby and collecting stray animals. A former professional actress, with Broadway, film, and T.V. credits, she now lives in the south with her family and too many animals to count. Writing gives her peace and makes her whole.
Jessica Almasy (she, her) In addition to a long standing and fabulous collaboration with the ebullient Robyn Peterman, Ms Almasy has been a partner in various and sundry experimental art projects, including - but not limited to - the following: a radical pop-up performance festival AmericanAF following the Charlottesville monument attacks; Out of An Abundance of Caution, a weekly live avant-garde DIY broadcast to keep artists paid and making during the Pandemic; the TEAM: an internationally and nationally touring devising theatre company making political art about America; hundreds of audiobooks about women authored mainly by women; and in Hollywood playing a societal anarchist in a role originally written for a 70 year old white man opposite Tim Robbins in the feature film NOISE. Most recently Ms Almasy has the honor of voicing filmmaker and disrupter Shirley Clarke in Pulitzer Prize winner and exceptional human Hilton Als’ audio translation of Portrait of Jason. She lives on Lenape land 90 miles south of New York City in a multigenerational household to experiment with interrupting the white societal imperatives of increased property accrual. Reparations Matter. Black Lives Matter.