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THE THEORY OF THE OLD TURKS
The maker of phrases plies a dangerous trade. Very often his phrase is applicable for the moment and for the situation in view of which he coined it, but his coin has only a temporary validity: it is good for a month or for a year, or for whatever period during which the crisis lasts, and after that it lapses again into a mere token, a thing without value and without meaning. But the phrase cannot, as in the case of a monetary coinage, at once be recalled, for it has gone broadcast over the land, or, at any rate, it is not recalled, and it goes on being passed from hand to hand, its image and superscription defaced by wear, long after it has ceased to represent anything. In itself it is obsolete, but people still trade with it, and think it represents what it represented when it came hot from the Mint. And, unfortunately, it sometimes happens that it is worse than valueless; it becomes a forgery (which it may not have been when it came into circulation), and deceives those who traffic with it, flattering them with an unfounded possession.
Such a phrase, which still holds currency, was once coined by Lord Aberdeen in the period of the Crimean War. 'Turkey is a sick man,' he said, and added something which gave great offence then about the advisability of putting Turkey out of his misery. I do not pretend to quote correctly, but that was the gist of it. Nor do I challenge the truth of Lord Aberdeen's phrase at the period when he made it. It possibly contained a temporary truth, a valid point of view, which, if it had been acted on, might have saved a great deal of trouble afterwards, but it missed then, and more than misses now, the essential and salient truth about Turkey.
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About the author
Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E. F. Benson. His friends called him Fred.
Benson's first book was Sketches from Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a portrait of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires". The Mapp and Lucia series, written relatively late in his career, consists of six novels and two short stories. The novels are: Queen Lucia, Lucia in London, Miss Mapp (including the short story "The Male Impersonator"), Mapp and Lucia, Lucia's Progress (published as The Worshipful Lucia in the United States) and Trouble for Lucia. The short stories are "The Male Impersonator" and "Desirable Residences". Both appear in anthologies of Benson's short stories, and the former is also often appended to the end of the novel Miss Mapp.
Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories, which were often first published in story magazines such as Pearson's Magazine or Hutchinson's Magazine, 20 of which were illustrated by Edmund Blampied. These "spook stories", as they were also called, were then reprinted in collections by his principal publisher, Walter Hutchinson. His 1906 short story, "The Bus-Conductor", a fatal-crash premonition tale about a person haunted by a hearse driver, has been adapted several times, notably in 1944 (in the film Dead of Night and as an anecdote in Bennett Cerf's Ghost Stories anthology published the same year) and in a 1961 episode of The Twilight Zone. The catchphrase from the story, "Room for one more", even spawned an urban legend, and also appears in the 1986 Oingo Boingo song, "Dead Man's Party".
Benson's David Blaize and the Blue Door (1918) is a children's fantasy influenced by the work of Lewis Carroll. "Mr Tilly's Seance" is a witty and amusing story about a man flattened by a traction-engine who finds himself dead and conscious on the 'other side'. Other notable stories are the eerie "The Room in the Tower" and "Pirates".
Benson is also known for a series of biographies/autobiographies and memoirs, including one of Charlotte Brontë. His last book, delivered to his publisher ten days before his death, was an autobiography entitled Final Edition.
H. P. Lovecraft spoke highly of Benson's works in his "Supernatural Horror in Literature", most notably of his story "The Man Who Went Too Far".
Further "Mapp and Lucia" books have been written by Tom Holt, Guy Fraser-Sampson, and Ian Shepherd.
