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I was born in the town of Chatham, Columbia County, New York, in September, 1813. My father was a New Englander, who married three times, and I was the eldest son of his third wife, a woman of Dutch descent, or, as she would have boosted if she had been rich, one of the old Knickerbockers of New York. My parents were simply honest, hard--working, worthy people, who earned a good livelihood, brought up their children to work, behaved themselves, and were respected by their neighbors. They had a homestead and a small farm of thirty acres, and on the place was a blacksmith shop in which my father worked daily, shoeing horses and cattle for farmers and others who came to the shop from miles around.
There were three young boys of us at home, and we had a chance to go to school in the winter, while during the summer we worked on the little farm and did the "chores" about the house and barn. But by the time I was twelve years old I began to blow and strike in the blacksmith shop, and when I was sixteen years old I could shoe horses well, and ...
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Lenwood Ballard "Bill" Abbott, A.S.C. also known as L. B. Abbott (13 June 1908, Pasadena, California – 28 September 1985, Los Angeles) was a special effects expert, cinematographer and cameraman.
He became the head of the Special Effects Department at 20th Century Fox in 1957, a post he held until retirement in 1970. He was called out of retirement, however, to work on the TV series M*A*S*H in 1972 (Abbott had worked on the film on which the series was based). Abbott was a member of the American Society of Cinematographers.
